(2010, Black Widow Records, Italy, 48.05)
01 Ignis Fatuus
02 Cadaver Devotion
03 Crypt of Horror
04th The Arrival of the Worm
05th The Knell accurse
06th Resurrecturis
Dark are the shells of death. And since the death of a main role in the spiritual world of the Rain Graves plays from the Italian port city of Genoa, is quite clear that his music is marked accordingly by darkness. Zines on the older EPs the band Abysmal Grief and her magnificent debut album from 2007.
forge After three long years, the Horrordoomer, which now present themselves as a real band, a new, very morbid long iron, located between Poland, the musical vault Rock and Doom, the latter by simmering the earthy variety. DC The opener "Ignis fatuus" sucks the inclined devotee darkest music deep into the abyss of damnation with a song that seems to come because of his deep and demonic documents directly from a damp, verwurmten tomb. In this case, however, are still in the throaty rumbling voice harmonies identify. The influence of the evocative Gothic Rocks the 80s is palpable. The old Fields of the Nephilim are greeting, though bring Abysmal Grief a different approach and much more minimalist than the playful, almost progressive British zuwerke go and relish on simple, but can let fluctuate spend effectively runs as if they were freshly risen from the grave.
The opener has a relaxed, yet driving groove and to offer in the solo part of troubled, boiling lead guitar. Second-placed "Cadaver devotion" sets yet sad at one and a half minutes in length and stomping rhythmically mesmerizing therefore seen as a ritual Urvolktanz, apart from the fawning passages pure Dooms. Are always omnipresent keyboards respectively organs. Played by the passionate support cylinder Labes C. Necrothytus, which also carries the responsibility for the eerie voice and has always been the charismatic face of the band coined.
A few steps on a path of sand and pebbles, the clatter of an iron gate, then you're in the "Crypt of Horror." A deliciously greasy organ weaves like a horror silent movies of the 20s a sweet-smelling of decay melody brutal, straight grooving riffs. In particular, again, sits with his fascinating Necrothytus vicious vocals. Of variety? Listen to me on. Abysmal Grief you want to cocoon, you will hypnotize your soul and suck, which they do with the cleverly repetitive staging of her plays, which brings in some way a significant catchiness with it. The Chembaloklänge in the rear portion of the song, which serve well instead of a guitar solo as an ornament, have been an expression of possession. They played brilliantly to remind to the old Abritte Progrockhelden and just where it did not lack in Italy in the '70s certainly.
A very dark, sacred organ melody and a horror movie synth running club on the opening of "The arrival of the worm, one of the shorter tracks here. This melody rolled forward, crossed from time to time by monotonous sounding bells. In Necrothytus starts after a while, muttering incantations. Who he would like to evoke as well, who will be this worm, which really do not want you to know. This is not quite ViereinhalbminĂĽter remains on the completely demented organ - and synthesizer runs, set in the course more and more insanity each within its monotonous response. A church bell rings
with a thud "The Knell accurse" which again cut the sizzling the ultimate Doomgitarre distorted by recurring chords, in turn, share mysterious keyboards like the patina of many decades from their structures. Certain passages alternating keep the song interesting. It is and will remain an absolutely sinister Kultdoom and continuous, except for wordless rumbling and groaning in the background instrumental. The heavy riffs and macabre organ melodies carry the song. A prototypical Doomsolo with rolling notes, a plaintive wailing guitar snatched burns and cuts you free your senses. Travel is recorded at the end of the play out is the last one and a half minutes, it even rolling double bass drums. Confusing bells game will not only my face, but equally derail all of my senses. Wow ...
climax of this horror music orgy is then at thirteen minutes, "Resurrecturis" the ejector. The riffs are typical of most Doom on them are conjuring sublime gloomy organs. Then again Necrothytus comes with his rumbling voice grave and shows could sound like the merger of BLACK SABBATH and the Fields of the Nephilim. A glorious end for a safe away from all mainstream genre conventions and all dogmas of the true Dooms-lying, large Album charisma. As a horror lover one is getting out about this little disc. The future belongs Doomunderground because of their cross-member Gothic / Doom Kreuzerei this band. After taking nearly half of all Time Abysmal Grief metallic weight of the piece and leave a monotonous bass rumble, wind noise and can use it two minutes on it again great hit.
For daring Doomverfechter dealing with a deep, rumbling and can make friends but harmonious voice. I would like to reiterate that Abysmal Grief Although deal very strongly with death, this is also a very spiritual way, but Black Metal and the like with anything have to do. Its symbolism is Christian dominated throughout, even if one takes here often a questioning position. All in all a terrific hybrid of Doom and 80's Gothic Rock of the darkest kind. I am a big fan
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