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I left the team!

Hey Magnolia fans. For personal reasons I left the Magnolia DT. Magnolia with it has nothing to do, my life has just changed and I do not have time to get intense in all DT's to participate in such a way as I would love to. And so I dared to take this step. Of course I am sad on the one hand, on the other hand, glad that I miss now no deadline more pull / will. This blog here I will not continue, but you can find me on my private blog of course continue stempelelfejayjay.blogspot.com .
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Hey Magnolia-fans. I stepped down from the Magnolia DT from personal causes. It has nothing to do with Magnolia but my life changed and I do not have the time to work as intense for all of my DT's as I would like anymore. So I decided to leave the team. On one hand I'm really sad but on the other hand I'm happy that I will not pass any deadlines anymore. I will continue this blog but of course you will find me on my private blog stempelelfejayjay.blogspot.com .

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RIP Lora 19? - 16.04.2010

I'm just shocked, flogged, and completely flattened. Lora, the cult of parrot, as it were, the good soul of our favorite bar in town was lucky last night of a guest's dog bitten to death.

Lora was the epitome of rock and roll, loved good metal and heavy rock, particularly the V 8 Wankers.

I can not put into words my feelings ...

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Zuckersüß ... which celebrity is hiding behind this baby picture



Oh how sweet this little brat is all. Let us once cheerful celebrity rates. Who can tell me which later became world famous Europeans hiding behind that cute baby picture? First prize is a self-assembled compilation CDR of my band Forgotten North.

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FORGOTTEN GEMS: MONEY - First investment


(1979, Gull, UK, 35.39 min)
01 Mari-Anna
02 Leo The Jester
03 (Are not We All) Searching
04th Geneva
05th Cosmic Lullaby
06th Opening Night 07th
Final
08th Statements and Demands
09th Remembering (MGO)
10th Goddess
An epic battle is progressive hard rock on this re-release. MONEY supposed to have belonged to the forefront of the NWOBHM, landed, unfortunately, despite deal with Gull Records (including JUDAS PRIEST in the early days) on the rear ranks, for they were just as present in the starting phase of the movement, have 1980 again after a final EP thrown in the towel. "First Investment", the album is from 1979, too early, too playful, they seem too progressive for the mega success. The opener is an unobtrusive, but lovable Heavy rocker with yard-long solos and still quite straight. Melodic, ethereal and proggiger it is with "Leo The Jester", which later landed on a NWOBHM compilation. There are thought-provoking quiet parts, then merrily swinging, slightly detached stanzas, gentle, symphonic chorus of great grandeur and intense instrumental passages between haunting melodic solos. Everything built up very catchy. "Are not we all searching" is a straight hard rock with a cool melody and a few abgehobeneren, progressive runs. Challenging and beautiful but suitable to call, a catchy tune. This song was the 78 single A side, the B side was a mess out here as a bonus. In its central part solos is again furious, yet it remains melodic. There are always little guitar eruptions that give the song a little more force. You love the disc on the spot. "Geneva" is a shorter, but very progressive rock with upbeat melodies and lots of changes. Somehow oblique light and bulky, but definitely cool. They had left with such pieces to the classic prog rock was already behind him, modern, facing the fiddly side of the neo prog. A beautiful instrumental piece on the acoustic guitar is "Cosmic Lullaby" is, which is then terminated by a spacey Synthesizerblubbern. "Opening night" is then an a capella song with elements of old British folk - and choral music. Not necessarily metal, but damn good and for a more progressive board entirely acceptable. With "Finale" will be hard again, melodic and cheerful, almost rocking anthemic upbeat, though the playfulness of this piece is not negligible. Somewhere between hard SWEET, YES, QUEEN and JUDAS PRIEST, the band cheating here by the Botany and does their part so well disgusting. The overall sound of the disk is of course typical of 1979, but very transparent. Sounds nice, raw and untamed "First Investment". This shows a band very much inspired by experts. Lovely. "Statements and demand" is again more theatrical, melodic progressive rock with a harder edge, playful, ethereal, stubborn, with some elements of old British music in the structure and melody. "Remembering (MGO)" rocks a straight line, with a nice, easy melody and a slight feeling of harder rock stuff at that time as UFO or MONTROSE. Geil is then the last original album track "Goddess", beautiful, playful rock with many mystical, quiet passages and epic atmosphere. The band has added some more mysterious moods in this beauty. Nice thing! NWoBHM for lovers, friends, progressive hard rock as Khazars, or SHIVA SARACEN PALLAS and this is a compulsory exercise. The band writes songs alone, which remain permanently in the skull! And there is a re-release on CD with a cool bonus track! Buy!

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FORGOTTEN JUWELEN: RAVENS'HEAD - From the darkness


(2002, private pressing, Australia, 48.32)
01 Martyr
02 Arcana
03 Play Me For The Fool
04th Did You Ever
05th The Gates of Hell
06th Closing My Eyes 07th
Tears in the Rain
08th Legend
09th Do You Believe
10th Sands of Time
11th How Many Times
This opens up a new Australian plants, but what one. The singer is one of the most powerful of their craft since the good old Acid days, the riffing, in spite of Hard Rock Roots and catchy, damn heavy, it almost on a roll, the guitar runs. These thundering bass drummers and a straight, yet with subtle details studded beat. Enormous? Oh yes! Epic moments, fast heavy metal with rocking expression, a subtle feeling and unleashed a lot of madness shape this album. The Boyz and the girl may look completely and not at all wrong metal, they play there, but what that has done this to the point, one should not just judge a book by the cover, today just in time. Somehow Ravens' head but smoke weed and also will be Ekstasy have thrown. Their songs have a truly detached And simultaneously feeling the force of a rabid steam locomotive. This is heavy sound of the most honest art is not stingy with spherical, quiet moments, but always come into play only when the thing is to say the atmosphere. However, it is not necessarily bad, listen to me a real ballad, like the extremely relaxed, worn by beautiful melodies "Did you ever", which is replete against melancholy and yet has a very hopeful atmosphere. It's just not too late. Pure magic is here offenbahrt. Ravens' Head are not your typical metal band, as we do every day in almost endure inflationary numbers. No fag Trällermelodien, no hard trimmed to pop songs, the Gaylord is thanks! And honestly, who would not swept a song like "The Gates of Hell", starting with a ballad of the most moving melodies in rock history, then gradually enhancing Bishins to an almost explosive turn in the direction Powerriffing. In the stomping mid-tempo piece developed this incredible force. The solo is sublime madness. This opens up a hard rock classics, like it might once have played bands of the brand Winterhawk, Amulet, Y & T, Full Moon, Sorcery and Deep Purple. Monumental, truly monumental, from rousing catchy and powerful depth. are based on this basis here all the pieces, whether straight ahead or epic. The solos play a huge role, are celebrated with devotion and staged a musical firework. The rhythm foundation with the mind of the listener Henceforth, the soul, which has been set on fire by the song. Timeless yep, yes, absolutely timeless, this disk. Perhaps reminding them of the production at the present time, but of course they do not spoil the character of the pieces, as unfortunately many other bands over and over again. She is warm, lively, friendly. could Ravens' Head really give a damn to any dogma, which they may want to impress the Truemetalsippschaft. Sure, there might be a not insignificant portion of their clientele live, but why make the same monkey and wallow in clichés that have already adopted a realsatirischen train, no fucking way. Hard rock and metal go hand in hand with the Australians march together in unity towards the battlefield music industry where they will hopefully get a chance to marauding. When Rachel quite frivolous pursed his lips and asks, "Do yu believe" what you crying as well? YES! YES! YES! YES! Killer!

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VERGANGENE GROSSTATEN: CLOVEN HOOF - Cloven hoof


(1984, Neat Records, UK, 34.09)
01 Cloven Hoof
02 Nightstalker
03 March of the Damned
04th Gates of Gehenna
05th Crack the Whip
06th Laying Down the Law
07th Return of the Passover
One of today's metal generation has indeed sometimes miss a few beats on the back of the head so that they can reflect on its true origin and the magic that she herself has displaced long ago, back of the bottle. And what is suitable to not outstanding as an old Cloven Hoof album? theatrical debut certainly the best known and most widespread plant of the British - Although the later albums like "Dominator" and "A Sultan's Ransom" by even the highest quality were the demonic is. And it goes immediately into the full band with the hymn "Cloven Hoof". It begins with a driving, mid-paced Part, where a eruptive vocal line is going over in a quiet, dark section that something imploring has in itself, makes previous bending to sheer force of steel, allows for a short time again the overture appear and goes further to of the way, another quiet passage begins the intense conclusion to pile on the infernal solos. Singer David has a pleasant, medium-altitude Headquartered in force voice that he missed the songs the finishing touch. Cloven Hoof in their orientation, easily and yet not superficial. "Nightstalker" is following "Cloven Hoof" is a straight Banger anthem with a catchy chorus and a nice heavy riffing has, all in all, an earthy touch. Yet even here there can the British do not incorporate a song in the song, a solo part with modified, prancing rhythm and dark melody. GEIL! Quasi the "Nightstalker" symbolizing how he haunts the nights out hehehe. But since a cold shiver down the spine. A short instrumental, driven and yet dominated by heavy guitars, a march of the damned in itself preclude. "March of the Damned" has a melancholic melodies, which has a truly majestic expression. Next piece is the Hymn "Gates to Gehenna", often regarded as an LP track. A medium-heavy fast song based on a triplet, with a huge chorus and some very spherical Breaks. The charisma is something very demonic, as if one of the princes of darkness in person at the studio was to be visited and who was given in honor of then intoned a welcome song. Metal should sound like, obsessed, just obsessed, you hear only singer David as he cries out his obsession. Cloven Hoof possessed at that time not just an absolute super sound, not even for 80 conditions, the material has only gutgetan, it almost explodes with life and furious Passion. "Gates to Gehenna" will change the way its a short term orientation, a song in the song, this time a little longer. The used parts are all straight and understandable arranged so that the audience must have no fear of excessive display of musical skills. And who was the previous song overkill that comes with "teh whip crack 'compensation, a catchy hard rockers stomping nature, whose guitar lines are simple, but also damn heavy and effective. Cloven Hoof are virtually the British answer to Cirith Ungol and Manilla Road, just rock, ultra heavy, cranky, filled with magic and inspired a completely own Way to go. "Laying down the law" is further evidence for this theory, straight ahead shredded, with powerful vocals and berserk again this beguiling melodies. Epic, and this still completely insane it is to the nine-minute "Return of the passover." It begins with a truly Düsterniß to hard to be taken part, in which only guitars can be heard, some heavy, others feeling cautiously ahead, others deleted infernal as with a violin bow. A satanic symphony to set the mood and then a stomping Riffinferno you away with a raging melody. Again simple, but still extremely evocative in its effect. The majestic Solos on this song and his sheer force of it can be an absolute classic of its era. It will be on its intensity hinfortgeweht easily without resistance can make even close. The whole song is sometimes a really doomy character, which at that time was not unusual. For all NWoBHM Heads of course, a compulsory exercise, even if most of the elegant late-stage with vocalist Russ North and slices as eternal cult prefer "A Sultan's Ransom." I find both worlds, in which the hoof gespalt'ne ever faced, stunningly beautiful immortal.