Tuesday, September 21, 2010

Are Protein Bars Okay On Phase 1 Of South Beach

MUGSTAR - Lime


(2010, Important Records, UK, 40.07 min)
01 Sunburnt impedance machine
02 Serra
03 Radar king
04th Beyond the sun
MUGSTAR are a British space rock band from Liverpool and fit so not the image of the city on the Mersey River. No beat music, but hauntingly mystical guitar melodies and repetitive song structures are needed here, bands like Hawkwind, Can, Kraftwerk, early Pink Floyd and similarly mounted heroes were the inspiration. Here we are also in the very first song. The introductory courses are wonderfully dark and enchanting, the intense guitar melodies spread a very intense mystical atmosphere. A bit of text appears vanishes without singing again soon. It is the only song used on the entire album. A constantly repeating bass line pushes to the fore. Around them to build structures of drums, guitars, organ and synthesizer, sometimes the monotony skillfully staged following the bass line, sometimes eruptive and wild. The mood here is hypnotic, the edge of ecstasy touchierend, with some breaks even across borders. Here, let her clean of the broadcast, greet the old heroes MUGSTAR and connect directly to them. Then an abrupt end, the song breaks down, is gone. Where we are headed now? Gewabere the synthesizer, a driving beat, a bass line, which follows this beat. Sporadic recordings of relatively clear Acidgitarre, a saxophone with unlocked races and various synthetically produced collapse - and Blubbergeräusche beguile thy mind. You float on the still devoted the monotony celebrant sound until all sound tracks blur together and merge into a current that carries you with it. Keyboard melodies appear and take quite a breath Wave / pop with it, which breaks up the space rock of "Serra" skillfully. Here are the Influences of Tangerine Dream and Kraftwerk very clearly to be connected with CAN members. If you need for comparisons. I'm intrigued, because even though many bands playing this year, Space Rock and invoke the ancient heroes and virtues, you have to be born for it. MUGSTAR are. At the end of "Serra" is a nice way Farfisaorgel into play, which is reminiscent of American West Coast sounds of 1968, the garden of life, the butterfly opens its doors of iron here. Independent beautiful melodic rock guitars contrast the creaking organ. Very British, indeed. From the monotony out beautiful melodies are born that do not seem to come from this world and yet remains "Serra" true to his line, can not depart from the brittle Saxophoneinsprengseln and repetitive substructures. "Radar king" hereafter is a heavy rocker with intense, brooding melodies and thundering rhythms, roaring like a storm-whipped sea and rages, but also very gentle and relaxing moments within itself, granted by the battered soul of a moment of silence. The song takes a few turns and passes through winding paths to the destination, float can be beguiling passages of powerful rhythms that carry you to power out into the universe friendly, straight to the source of the universal consciousness. Yes, this is definitely music that takes you to another level. Also, "Radar King added, "this increases the intensity into wild, rough areas, but are always supported by straight bass lines and is held by dark, powerful melodies in check. Now we are damned the sun close to come and have us concerned directly under it a place Sun promises the next one, last track. A creaking organ is the beginning, joined them a handsome Independent bass. A light drums lined up in and already you are flying on a beautiful tapestry of sound henceforth. There is but yet again the wordless, mystical vocals in the background . listening but worth it. fluttering synthesizer intensify the atmosphere, softly plays Gitarrenjauler emerge, far back in the jungle sound hidden. Then a break and return to the floating part of the song. The atmosphere is so peaceful, so sublime. Here is the pure love is in every small detail. The song is even louder and yet it remains only a small detail in a lush arrangement. The overall theme of the piece may repeat itself, but what is repeated on the album is not? She whispers to you how you can merge with the universal consciousness, as you can free your mind. And basically it's even tools to do so. So, the British space-rock with herbaceous roots is alive and stronger than ever before. Even the founding fathers Hawkwind have never done this year, a new record. I use this disc from each MUGSTAR Fan herbaceous spacey sounds suggest, if the soul is wide open and you can let yourself go. Grandiose disc, if not innovative. But then I ask myself why we should destroy perfection with innovation? MUGSTAR are the universe and the universe is perfect ...

Sunday, September 5, 2010

Example Of Doctor Welcome Letter

Obskuria - Burning sea of green


(2010, World In Sound, Germany / USA / PERU, 45.52)
01 A - bun - dance
02 Somewhere
03 Why?
04th Black magic
05th Under the gallows
06th Slow stone
07th Memories of Mysteria
08th Screaming like a whirlwind
09th Burning sea of green
The good old Acidrock Heavy Psyche and it is apparently better than ever right now. The fun Obskuria Jamband from Germany, Peru and the U.S. confirmed this. Actually it was a Studiojam occasion of the TRIP IN TIME Festival 2006, there were others that Treacle People from southern Germany, on the 70 U.S. Acidrocker Dragonwyck and the Peruvian Space Punks LA IRA DE DIOS, were filled by WORLD IN SOUND label owner and festival organizer Wolf and Jam requested, including cover version of METALLICA "For Whom the Bell Tolls" and go. A acidrockig heavy psychedelic album was released in 2007 and it was thought that it was the. Wrong ... 2010 Obskuria are back. Heavy her psyche is still, sometimes bluesy, sometimes a bit of modern rock with a subtle wave frantically wrapping and groovy rhythms, but always beautiful melodies. The members of the Treacle People have disappeared from the line-up, LA IRA DE DIOS remained complete, in addition as a guitar god Dragonwyck mastermind Tom Brehm. Added are an organist Sandra Disterhöft, singers and singer Matthias Schäuble Murielle Stadelmann. In this cast a powerful Acidrock succeeded CD, which carries the classical motifs and elements of the genre into the present and refreshing releases on the inclined acid heads. But the nearly thirteen-minute title track at the end of the disk is already a grand exit, oscillates between bubbling psychedelic blues rock, hard rock echoing organ-based blues and boogie and crashing sound walls with Freakoutcharakter or increases from one station to another. Murielle singer delivers a home-seeking, captivating performance. It is a classic Blueschanteuse, but this piece brings an enormous amount of LSD impregnated phobias into play and lets the listener really shake.
side "Burning sea of green" it does not have a particularly strong moment. A covert Acidrockband SLAYER. "Black magic" to be exact. Here, the cheerful psychedelic punk rock ruled with satanic lyrical hearty ladle, which acts naturally unintentionally funny, as the Slayer guys when composing the songs were probably all just 16 to 20 years young and quite grünohrig. Anyway, in the psychedelic rock sounds like the piece of clothing fresh and frivolous and invites you to Besinnungslostanzen. Sweet! "Under the gallows" is the masterpiece of singer Matthias, which for me tend to indie - and post-punk bands and 80's Gothic fit / crypt sounds would. A very nice contrast to Muriel and for this casual, candid album just right. And so is "Under the gallows" a mix of frenzied wave / post punk sound of the 80s with a nervous, hypnotic drumming, simple guitar themes, Sandra's Old School Acidorgel monotone bewitching vocals and pumping bass that looks between 60s and 80s, his own way. In the second half of the song is ecstatic, the guitars buzz and hiss effect on load then, the leads come as a Obsessive celebration, everything seems to almost explode. Whoever does not collapse, does not need this disc to hear. Obskuria do it right and combine the past and the present to the sound of the future. The album sounds so passionate and bittersweet as the psychedelic discs of the late 60s, but at the same time melancholy Independend later - and crypt rock sounds here. And it always seems like a whole. If this is just a jam band here, then I would be interested to know, might sound like a solid, consistently solid cooperation. It is magnificent ...