Wording For Pay For Your Own Meal

FORGOTTEN GEMS: PLUTO - Pluto


(1971, Victor, UK, 37.08)
01 Crossfire
02. And My Old Rocking Horse
03 Down And Out
04th Shes Innocent
05th Road To Glory
06th Stealing My Thunder
07th Beauty Queen
08th Mistere Westwood
09th Rag A Bone Joe
10th Bare Lady
an earthy grooving Hard Rock brought us this British band on their 1971 at the Victor label released LP. Three driving songs with straightforward melodies and riffs were the issuing triumvirate of the disk before entering with "She's innocent," a gently-swaying ballad scene, in which the acoustic guitar beautiful little legs spinning, which may well have a folky background, for some pure moments but gives the scepter of a creaking Heavyklampfe. Especially in their typical way lies their beauty and simplicity of the great feelings arise. Relaxed and loose rocks, the group promotes hereafter, and I may not, as the standard macho hard rock would call the early 70s. A slightly sinister whiff emanates from a song like "Road to Glory" in which the singer seems to have to question whether a compromise on this path is quite right. But the hypnotically grooving instrumental part at the end of the song can be no further thoughts about the singer is already on the way and caught him going to the bitter end. Even cooler Boogie is not alien to the English, even if it is a little low in the standard-held sound. Make it with love and passion. The solos of the guitarist, an organ or the like does not take place, are devoted and steaming with desire. Obsession? Well, not quite as ecstatic to give PLUTO. A little harder as the FACES and the Rolling Stones, cool and bluesy as the Groundhog, but straighter and more relaxed. The early 70s in all respects justice to halt. You can turn up if they want, but they wait. The polyphonic Popgesangsharmonien for "beauty queen" seems to aim for the charts, but that's okay. They have charm and soul, as the whole, moderate rock song. Certainly a disc for which you do not necessarily kill, would be to recognize their soul and to live deeply in love with her. The band, despite the standard style charisma, and the bright, sharp voice is independent. Good part for friends tended rock packages that just may also sometimes be restrained.

Dfference From Real And Fake Boobs

purest UNDERGROUND: MAHOGANY BRAIN - Smooth Sick Lights (


(1972/77, Pole, France, 47.52)
01 Green Winter of Revolvers
02 Cathedral's Skirts
03 Church
04th Purple Overdose No. 102 05th
Silkskin Dawn
06th Tongues-Movie: Doctor Cloud
07th Rose Sad Sea
08th Diamond Stars Voices Of
09th Burning The Vibes
Here is an example of what happens when a bunch of hippies and revolutionaries with no previous knowledge of music Drugs and instruments are. MAHOGANY BRAIN is a French free-form project, the present, 1977 to the avant garde oriented POLE label released album was recorded in 1972 in a fit of collective madness, and lowest in the state of intoxication. It sounds completely fall off track, degenerates, deprived of any structure and any orientation. But once we look behind the front lines of this Dadaist sound outbreak and we will see, despite the rather unprofessional Live recordings from June afternoon in 1972 a bunch of musicians with a plan. Guitarist, bassist and drummer are in fact not just musical Neanderthal, the bedröhnt to the hairline and pointless halluzinogenisiert lam into their instruments. It is a collective live recording, a jam session, as was typical for that time, but rather for the late 60s yet. Hippie music, free improvisation, and quite a bit accomplished, even if much of an angle and sounds of the track. The experimental Krautrock already burned a wild right from the horizon and the sun is also reflected in the neighboring countries. What Amon Düül, the 1, not 2, had as recorded in 1968 in their massive session, then what in the coming years, in part unfairly by greedy record companies as "Psychedelic Underground", "Paradise Heels Düül", "Collapsing" and "Disaster "was released, is not one bit other than that, what mortise MAHOGANY BRAIN here. Perhaps even a tad revolutionary because early. Yes, like falling into raging obsession or obsessive frenzy, the band are here in the eruptive freiförmigeren moments, has "dawn Silkskin" but also with quite a cute Psychedelic rock number with oblique stoned female vocals. And who takes the trouble to go through this inferno, a second or third time, which is seen drowning in the noisy sound of confused currents even one or the other touching melody. Boogie influences, psychedelia, blues, free jazz, the boys and the girls were quite affected. I would give them the early, most free PINK FLOYD, VELVET UNDERGROUND feat. Nico, Amon Düül and people like Zappa and Beefheart as models assign, maybe jazz musicians like Coltrane, even if something seems far-fetched. Certainly the models playfully yet accomplished, except the Teutonic group, but in the right direction. For fans of sweet beguiling Psychedelicpop this is not suitable for a more Acidfreakout in which you ask not necessarily for the origin of the mushrooms and juices that come there on the table and where you can already start times the little blue spaceship. The sound of the disk is of course as their compositional nature, rough, muddy and unproduced. And yet I find the whole nature of this Gewaltjam ago, from his expression and the way he touched me, so moving fascinating. I'm really in love, but can understand as well that music lovers respond to other demands on extremely hateful. For commuters and - exceed.