Can I Get An Enema In A Walk In Clinic In Toronto

Pirate Tilda

Just For the new Magnolia Challenge A sketch by Jane "I made this card last week:

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I made this card for the new Just Magnolia challenge" A sketch by Jane last 'week:

The sweet sitting Piratentilda is from the new Magnolia "Fairytale collection. I have it on the boat Magnolia ( Rowboat - Sea & Summer 2008 collection) and the flag is set by the other new standing Piratentilda I've just cut off;) ***

The cute sitting Pirate Tilda is from the new Magnolia "Fairytale Collection". I sat her onto the rowboat from the Summer & Sea Collection 2008 and cut out the other new Tilda Pirate's flag;)

Hihi, the skulls are sweet or? The Magnolia Halloween and Christmas paper also fits nicely with pirates * grin *. The Red Flowers I once bought on the Stamp Mecca. The black beads caps you see here is difficult to have the Daisies I punched a flower centers and fastened with a red Brad.

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The skulls are cute, are not they? The Magnolia Halloween and Christmas pattern paper was perfect for pirates * grin *. The red flowers are from a visit at a German fair two years ago. You can not see the black bead caps on the pics, I also added some small punched daisies to the middles and red flowers brads.

have I colored to match the colors of the Magnolia design paper. So it happens that the water has turned dark gray;) And since I do not spell pirate, I have a simple "ARRR" with Katie QuicKutz alphabet die-cut. The oval brilliant day from Spellbinders, the middle oval of Stampin 'Up! This fits into the Supergut Spellbinders day.
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I colored Tilda Magnolia pattern in the paper's colors. This is why the water is dark gray now;) As I did not have a pirate sentiment I cut out the "ARRR" with the QuicKutz alphabet Katie. The oval tag is from Spellbinders and the medium oval is punched with the Stampin 'Up! oval punch. It's matching perfectly into the Spellbinders tag

st amps: Pirate Tilda & Boat & Flag by Magnolia
i nk p ad: Memories Black
papers : Bazzill Cardstock, Magnolia Pattern Paper
accessories: Flowers, Spellbinders Tag, SU Oval Punch, QuicKutz Katie Alphabet, Gemstones, Bead Caps, Daisy Punch, Leone Em Leaf Punch

What Is Meralgia Paren

Tilda Bookmark

Sometimes it just

must sometimes be about more than one card. Bookmarks are cute little gifts and suitable for almost any occasion.
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Sometimes I need other things than cards. Bookmarks are cute little gifts and you can give them away for almost every occasion.

The pattern paper is from Chatterbox and Bazzill cardstock. I have taken my favorite colors because this bookmark Schenki for my Mum was.

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The pattern paper is Chatterbox and the cardstock Bazzil. I used my fave colors, because this bookmark was a present for my Mum.

Tilda is The Tale of the new Fairy collection. This will be released in early April. I really like and she is very versatile.
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Tilda This is from the new Fairy Tale Collection. It will be released in the beginning of April. I love this images and you can use it for so many different occasions.

st amps: Tilda by Magnolia, German sentiment by nk Stampingduck
i p ad: Memento Rich Cocoa
papers : Bazzill Card Stock & Paper ChatterboxPattern
accessories: SU Tab Punch, Ribbon, Big spacers, brads

Sante Fe 2010 Remote Starter

Easter Tent Card

Dena has made a great tutorial for a "Tent Card . I had of course also try and here is mine: ***

Dena made a wonderful tutorial for a "Tent Card . Of course I had to try it myself and here's my tent card:

Then I added the brown cardstock is out, I'm now on the Craft cardstock from Stampin 'Up! fall back, which I luckily still be a whole package. Cosmo Cricket paper I found suitable for an Easter card and I have yet smooth even the new "apron Tilda with eggs in her " taken from the new collection of Hoppy Easter Magnolia for my tent card.
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As I do not have any beige cardstock anymore I had to use my power cardstock from Stampin 'Up! for my card. What a luck that I still have a whole package here. The pattern paper is from Cosmo Cricket and I think it is perfect for an Easter card. I used "Tilda with eggs in her apron " from the new Hoppy Easter Collection from Magnolia for my tent card.

Here you can see why it's called tent map. She has a special bottom fold. I find the idea totally good and will definitely do more of these cards (which look hopefully not so bald). The sweet Chickens and eggs Wagon with stamp from the Magnolia Easter 2009 collection fit so well with the new Tilda that I just had to take., Where I changed the car so that it now uses a basket / nest aussieht.
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Here you can see why this kind of card is called tent card. There is a special folding. I think this is a great idea and I bet I will make more of these tent cards (which hopefully aren't as empty as this one). The cute Chickens and the Wagon with eggs are from the Easter Collection 2009. I just had to take them because they are matching perfectly to this new Tilda image. I altered the wagon stamp and now it's a basket with eggs.

Hat Tilda ihre Eier nicht schön bemalt? Mit Albrecht Dürer Aquarellstiften *hihi*. Nun kann Ostern kommen. Neeeeiiin, ich much more needs to make Easter cards! Perhaps you may now try yes, occasionally a Tent Card ?

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Are not Tilda's wonderfully decorated eggs? With Albrecht Dürer watercolor pencils * heehee *. Now Easter can come. Noooo, I still have to make a lot of Christmas cards before! Maybe you want to try your own Tent Card now?

Telstra Landline Problem

Hoppy Easter

Today I have another card with images from the current Hoppy Easter collection for you.

*** Today I have another card with images from The current Hoppy Easter collection for you.

I the new Tilda with Flowing Hair and Floral Background have used for my card. The background stamp I find totally cute and Tilda anyway;) The cardstock is Bazzill and the pattern paper from Basic Grey. I have taken extra "single color" design paper, as the subject shows so much.
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I used the new Tilda with Flowing Hair and Floral Background for my card. I love that background. The cardstock is Bazzill and the pattern paper BasicGrey. I took papers because the monochrome image is showing so many details.

Is not she cute? Innocently she stands with her basket full of flowers. You've got to the meadow, it is because not a single flower on it more * hehe *. Tilda geplückt has them all! The paper roses, all of Magnolia. Have you seen the great rose? This is really awesome, because it consists of different materials! The sentiment stamp is by the way of Stampin 'Up! and he is punched with the SU oval punches. The roses and some of the distressten edges are painted with Diamond Stickles, unfortunately, evidently be seen in the photos so do not. she
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Is not cute? Look how she is standing. She picked all the flowers from the meadow *heehee*. All the paper flowers on my card are from Magnolia as well. Did you see the big rose? It's beautiful and made from different materials. The sentiment is from Stampin' Up! and cut out with oval SU punches. I added Diamond Stickles to the roses and some of the distressed paper's edges. Unfortunately you can't see it in the pics well.

st amps: Tilda with Flowing Hair & Floral Background by Magnolia, Sentiment by Stampin' Up!
i nk p ad: Memento Rich Cocoa
papers : Bazzill cardstock, BasicGrey accessories pattern paper
: Meshribbon, Ribbon, Magnolia Mulberry Roses SU oval punches

After Masterbation Clear Liquid

Charleston Tilda

I still had commenced the map of one of the last JM Challenges, with which I could not work anyway and I thought that I just take this time as a basis. Lo and behold, it worked!

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I still had the card with which i started one for the Last JM challenges but it did not work out. So I used it for this week's card and it worked!

is The pattern paper is a new DCWV series that I really like. Yes I love this brown and beige so I decided this time to use the Copics, because I have a marker in exactly the right color. Sven has given me the Burzeltag Polychromos yes, I was able to practice the same.
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The pattern paper is from one of the new DCWV series which i really like. I love that tan and this is why I used Copics this time, because I have a tan marker Which is perfectly matching to the cardstock. And Sven gave me my birthday so I Polychromos to read what to try them out for the shadows instead of Prismacolor pencils.

practical as that Domi has given me turquoise Flowers, because I really had nothing at all suitable! The sweet heart needles she has given me and I have the same process:) Thanks girl! The "Congratulations" stamp is the way of Magnolia.
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What a luck that Domi gave me pink flower because I did not find matching flowers in my stash! She also gave me the cute heart pins Which I also used for this card. Thank you hun! By the way the "congratulations" stamp is from Magnolia.

have said how I colored Tilda Charleston Magnolia from the current collection with Copics and Polychromos. I had the marker now not used for some time and had to find that some are really difficult, I've used the most since September 2009 and they are rarely used. I find this rather ugly ... because that the markers are clearly too expensive. I particularly noticed it in the sketch markers (paint, especially here both nibs in different colors). Has anyone because such problems with these markers? I think I will upgrade to the Ciaos ... yet I find the shape of the Sketch markers so schön...

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Like I said before I colored Charleston Tilda from the current Magnolia collection with Copics and Polychromo pencils. I didn't use my markers since a while and I had to declare that some of them are really rough-running even if I just have them since September 2009 and didn't use them often. I think this isn't fine... they are way too expensive. I really saw it while using my Copic Sketch markers (and the big side has another color than the thin side). Do you also have such problems? I think I will start buying Cioa marker now... but I like the shape of the sketch markers more...

st nk Charleston Tilda by Magnolia & Sentiment i
p ad:: amps Memento Rich Cocoa
papers : accessories Bazzill cardstock, DCWV pattern paper
: Lace, Tulle, Headpins, Flowers, Gemstones, EK Success Leave Punch, Martha Stewart Doily Lace Punch, Leave Punch, Foam Pads, Stickles

Herpes Deep In My Nose

Love Letters

I have the Postbag with Love Letters Raising the ceiling from the current collection with the Sparkling Tilda from So Jolly & Under the Mistletoe Collection 2009 combined. Actually I had with a turquoise card and a wish to work on the mail bag sitting Tilda, but I just do not get it to turn.
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I combined Postbag with Love Letters from the current Raising the Ceiling collection with Sparkling Tilda from the So Jolly & Under the Mistletoe Collection 2009. Normally I wanted to make a card with a turquoise and the Postbag Tilda sitting but I was not able to get something done with the supplies.

Then I therefore once again started again and, well, there is a pink card came out of it;) I have extra used my favorite paper (Bitter Sweet by BasicGrey) and lo and behold, it worked. The first in turquoise, I then took hold of another card!
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So I started a new card and used my fave wallpapers (Bitter Sweet from basic gray) and it worked! I took the card for another turquoise Magnolia card then!

Here again the motive or motives. Here you can see also that I Tildas wings and her hair band and I decorated the flower with Star Dust Stickles. I colored with watercolor crayons.
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Here is the image I created again. You can see that I used Star Dust Stickles for Tilda's wings, her hair-band and flowers. I colored with watercolor pencils.

st amps: Postbag with Love Letters & Sparkling Tilda & nk Sentiment by Magnolia
i p ad: Memento Rich Cocoa
papers : Bazzill cardstock, BasicGrey Bitter Sweet pattern paper
accessories: Spellbinders Labels 8, Spellbinders day, Ribbon, Heart Pearls, Flowers, Pearl Brads

Dog Chapped Lips Chapstick

Easel Card

Have you been the new Challenge theme for Just Magnolia seen? There it goes this week to Easel Cards . And this is my:

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Did you see the new challenge over at Just Magnolia ? This week's theme is Easel cards . And this is mine:

The topic I was able to combine smoothly even with one of my DT card for Magnolia. Thus I have so sweet " Tilda carrying a lamb " Hoppy Easter from the collection masked and the great " Recipe Card " stamp from the stamp collection A little about Yummy.

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With this theme I was able to combine the challenge and one of my DT cards for Magnolia. So I used the cute " Tilda carrying a lamb " Hoppy Easter from the collection, masked her and stamped the big " Recipe Card " stamp from the A Little Yummy over her collection.

I do not have a nice Easter sentiment so I have labeled the recipe card itself. Actually, I think that's still not that great, but I needed to stop a great slogan! Have you ever seen the great new Magnoliablumen? And "scroll" the "branches" with the beads turn? They are also brand new!
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As I did not have a good easter sentiment stamp a sentiment I wrote by hand. Normally I do not like that much but hey, I needed a sentiment! Did you see the new Magnolia flowers? And the "branches" with bead leaves? They are brand new!

Here you can see once the spell completely. I found it totally appropriate. The delicate red road on the left is the way, cut with the Cricut. I find totally awesome, that it cuts so fine, but I am happy about it! For the background I have in yellow Bazzill two Martha Stewart uses punch.
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Here you can see the whole sentiment. I think it's matching. The filigree branch is made with the Cricut. It's cool how good and smooth this machine is cutting, is not it? I'm really happy with it! I also used two Martha Stewart punches for the background.

also for the base. The letters "happy easter" I punched with the QuicKutz and Sophisticated alphabet. The red knobs are secured by Doodlebug and yellow Scrapper's Floss.
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And also for the lower side. The letters "happy easter" have been cut out with the QuicKutz Sophisticated and the alphabet. The red buttons are from Doodlebug and sewed with yellow Scrapper's Floss.

And here's Tilda again with her little lamb. For the coloring I took the colors of the paper, which I had in my DT package. A very unusual color combination, but I think it's kind of cool.
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And here's Tilda with her lamb again. I used the colors from the paper which I got with my last DT kit. I think it's a strange color combo but a cool one.

st amps: " Tilda carrying a lamb " & " Recipe Card " by Magnolia
i nk p ad: Memento Rich Cocoa
papers : Bazzill cardstock, pattern paper
accessories: Ribbon, Magnolia Mulberry Roses & Embellishments, Doodlebug buttons, Scrapper's Floss, Cricut, Martha Stewart Pine Needles & Punches Trellis, Feather

Free Online Zoophilia Vieo

VERGESSENE JUWELEN: SLEEPY JOHN - Sleepy John


(1970 / 2004, USA, Gear Fab, 72.38)
01 River
02. Al capa strong
03 Nothing
04th Dragons
05th Prelude to a Dream
06th Seasons
07th Losing my plow
08th Hard workin 'woman
09th I'm just happen to be (in love with you)
10th Monday blues
11th You say
12th Trying to fly
13th Blue sky
14th Cowboy
15th Searching for the world
The music on this album was in 1970, so you should not be surprised that there is no raging power metal, but relaxed and yet often unleashed heavy rock with fiery guitars - and organ is found, such as the completely exploding final part of "River", the opening track us Evidence is. The sound of the disk is certainly no longer meet today's standards, but is alive and honest, you feel as the band were standing right next has one. Sleepy John were still at the dawn of the '60s psychedelic bands to 70s hard rock. Sweeping the senses consuming jams and solos are as much a repertoire as straightforward, aggressive driving moments with haunting melodies. Especially the often ecstatic whirling drummer is an absolute treat for the ears and only a small part of the exciting overall picture. The pieces are playful, but flow very naturally and stay ahead understandable. A few freak-outs here and there can not falter the flow of the pieces. Even if the guitar does not übelst always distorted, which gives a very dedicated way in which it is processed, the feeling of overwhelming force. From time to time, the Fuzzbox on and a seething Zerrklang sneaks in and hacks you on the abdominal wall. After two hard rockers the way, every band needs a break, we get an organ, provided with lush arrangements, reveling in melancholy ballads like "Nothing" just right. Again, there are some moments where the band goes to the drama of the piece in half the fair fields, which then make again, but the gentle swaying passages place. Or note the completely wrong instrumental Middle Passage of "Dragons", which with manic Leads totally mesmerizing effect. The Hard Rock is not here, the sole agent style, and soft, spun-swinging songs with light-footed expression are quickly woven, evoke a peaceful atmosphere of summer with her prancing beat and haunting melodies singing lead guitar. That was then, 1969/70 just been so common practice not to think one-dimensionally and to compose and to make it sound but the material with a distinctive point of a piece. This is succeeded Sleepy John. Comparing this band with today's mainstream rock music, we should always turn to face contorted with disgust the modern, uninspired plastic Mucke the bare ass, to say to say casually. Either is now roared psychotic, bored herumgenölt or whining. Sleepy John had changed passion and unbridled lust in her pieces, like the passages of the main themes into jams, giving rise to completely flown solo deposits or the listener in trance and ecstasy on display for melodies and runs. As in really floating "Seasons", in its central part to osteuropäuischer folklore and psychedelic heavy rock sounding passages are divided between which changes the band loose and without congestion. The song alone has more diverse than some passages band throughout its discography. It swells up, is very intensive and forces you to St. Vitus's dance, it flows in particular moments hover about, is in playful, into sections with twisted bridges, will be mysterious and dark, rock-earth and ends with a scream and Gitarrengefiedel after the return of the folky sounding runs from the middle part. Wow ... I must put for now. A somewhere between country and slapstick of resettled song follows. "Losing my plow." Hard Rocker leg with blinkers are now crying out as comic insert that is here, however, very refreshing. Playfully, this can be observed immediately, Sleepy John are among the high-class strip search. Again and again they bring ideas that make the material very varied and of course require that one is often busy. For pure hard rock fanatics, the disk to run the gauntlet, I can say right now. Bring bluesy deposits which look as mischievous, that it has already parodic character and not once, but it brings it so honest and authentic, that it simply decreases the band. So if you dare to approach a very complex band with equal CD, you should scribble Sleepy John with the self-titled debut on the shopping list. Plenty of personality here, even the most standardized blues, that from a lack of recognition probably can barely speak. It makes a lot of fun, the four young men to listen to the show. Similar kind, maybe a little wild, Led Zeppelin was the first album, which seemed good year and a half before. Sleepy John unfortunately never had the good fortune of a regular publication, in 2004 took pity on the U.S. label Gear Fab, rauszuhauen the two 70's recording sessions as a CD. The results speak for themselves.
The CD is packed with band history and beautiful illustrations. With almost 73 minutes, it's not too short.

Letter Stating Proof Of Community Service

SEASONS OF THE WOLF - Once in a blue moon

(2007, USA, private pressing, 56.38)
01 Wings of doom
02 Snaggletooth
03 Nikhedonia
04th Ghost woman
05th In the shadows
06th Behind the eyes of evil
07th The reaper
08. Battle scars
09th Alien landscapes
10th The edge of time
11th Peace on earth
12th Name your poison
This is not the first album by American band SEASONS OF THE WOLF, but, let me count times, already the fourth release and it has somehow changed that much. Barry "Skully" Waddell, his brother Wes and her team thunder an unconventional, typical American power metal with dark, but very catchy melodies and profound acting keyboards. The latter should not be overstated, because you put the weight clearly on the very natural sounding guitar from Skully. The sound is really nothing to complain about, perhaps at times some clinical drums, in which one notices but the game here, that there is a person. But even that is well accommodated in the mix. After two quick swing, groovy metal anthems on the first two grid positions for the third piece suddenly to SOTW. Quiet, dark intro on the guitar with subtle keyboard accompaniment, then a slower beat, slow guitars, mysterious keyboard runs and evocative vocals. Wes Waddell sings mostly in medium-altitude, very emotionally charged goes, but we also higher. The song is down to a short passage dark and morbid. They were now "Wings of Doom," "Snaggletooth" and "Nikhedonia.
What comes next? "Ghost Woman." Ah, okay. The opening Rock riffing ever huge, the verse has a very catchy phrase sent the speeds can be varied. American Melodic Metal trimmed to gloom? The song may seem odd lot. The organs of the scrubbing Keyboard riffs give the song a majestic aura. Skully solos in the classic heavy rock style and should birds such as Michael Schenker loose play facing the wall. A potential Minihit, which is also the unconventional style Wes Waddell and his scream-quality voice to the heights affect them. Rob Halford let's leave that one go through, right? Really cool!.
The intro to 'In The Shadows "appears jazzy, no, the groovy song seems more mainstream. Blues, with offbeat rhythms, but very cool melody in verse and especially the chorus. Is a difference, is staging memorable and emotional. Although SEASONS OF THE WOLF invent the music never new, you never really think that their songs appear a familiar. That's their advantage. "In the shadows" is then a solo on a little more energetic, Skully goes out all the stops here. The classic rock but remains preserved and the ballad-feeling also.
Without the vocals would have here from the Pink Floyd of the late 80s, David Bowie of the early 80s, may possibly be the Rolling Stones at the same time. Non-Metal, more than pop rock, but made breathtakingly beautiful.
between earthy mashed Metal and slow, darker parts moving "Behind the eyes of evil", which also reunited majestic riffs, leads and macabre synth runs, and Wes Weddell inimitable voice. Actually a good hard rocker that sounds wacky but wonderful by a massive dose of mysticism and Doomfeeling. SEASON OF THE WOLF like to play around with classic hard rock themes, but they make it to their own style means.
"The Reaper" is following "Behind the eyes of evil" and, with powerful verse melody, thrilling riffs in turn, hard rock style, powerful organ, keyboards, and Wes' emotional vocals for Hitstimmung. The part has character and soul. You may have the chorus even more pronounced may be, still catchy, but those are superficial things. Skully brushed his guitar riffs from various nackenzerbrechende neck.
A metal anthem with galloppierendem Leitriff is then "Battle scars" and here is this anthemic power chorus, like so many bands this year to tackle him again and again and fail miserably trying. Although "Battle scars" of the typical heavy metal song here, shine SEASONS OF THE WOLF. They want to stretch their fists to the sky and loudly sing along. Horny, wild solo by Skully, then a short, but acquired by the synth passage, the guitar in and fry someone speaks with a distorted voice on that subject. Classic 80's style. The band re-enters and plays a doomy - slow section that Skully again refined his confused leads, then it goes back to the galloppierende main theme of the piece. Why can a Rock'n'Rolf not it? Why can not something like MANOWAR? Why me is the new face of SEASONS OF THE WOLF disk in such a matter?
staccato keyboard solo and a hammer to form the beginning of "Alien Landscapes". While the spacey synths give the Touch, the Solo provides earthiness. The drumming begins and it continues now as the song gets a trance-like expression. The song suggests at some point in a spherical space rock, Hawkwind would also well on its last wheel to face.
Rothorn and dark rocking one gets to "The Edge of Time" and it remains the case, here is earthy, but dark and thunder rocked that one's hair stand on end and the whole body is covered with goose bumps. Killer synth solo in the middle!
"Peace on earth" is energetic, aggressive vocals with abgeflogenem effect. Wes complains more than he sings, but with the incredibly haunting voice. The overall expression of the piece is again spacey nature. A stapf final part with the cool bass runs and thrilling beat takes over. Developing into a majestic moment of sheer Dooms and then gets back on track. The song puts tremendous increase in intensity, seems to almost explode, explodes into the final analysis in space-age noise and is gone.
And at the end of the album we groove rock "name your poison" with space rock organs, total suspended the song all the time around you and really typical hard rock vocal line you heckled normal. Skully elicits fine guitar riffs and lead harmonies. It can thus also conjure heavy rock of earthy yet exciting music, eh? You go perfectly with this song, the beats grab you, you muddle.
leaves you quite breathless now this album will need a few seconds of recovery time. Then you're back there and want more of it fully, more, much more. Killer disc and absolute recommendation!

Circles Problem Mensuration

OGRE - Seven hells


(2006, USA, Leafhound Records, 56.27)
01 Dogmas (Of Planet Earth)
02 Soldier Of Misfortune
03 The gas
04th Woman On Fire
05th Review Your Choices (Pentagram cover)
06th Sperm Whale
07th Fleash Feast
The 70s are again climbing the list, because just then the rock just fresh, inspired and passionate sound without a lot of genre dogmas and composition with very casual - and play. And there are representative of the new wave rocker urtraditioneller OGRE from the U.S. state of Maine into play. Unlike many current bands they do not swing aggressively - Stoner blunt club, but geared to the inspired play of the early years, sound but it really fresh and inspired. If not for the opener of distorted bass at one point, one could be forgiven for British hardcore / metal bands would suggest the late 80s, no one would be a belief that a current OGRE band at age are from the early to mid 30th We come now to the songs. "Dogmas (of planet Earth) is the name of the wild rocking opener, who has the same comes up with a wonderfully creepy sci fi story, which is to return to earth returning space travelers going to have to realize that their former home planet is now very hungry dog people lives is, of course including carnage on the way back to the ship. A striking, but urtraditionelles and somewhere familiar sounding Grundriff frivolous and cheeky, slightly lighter, nasal vocals of bass player Ed Cunningham provide music for a treat. Sure, invent the OGRE not guaranteed new heavy rock, but at least they sound like they had just invented it. Ross Markonish burns on lead guitar a murderous run for the next lean from her neck, she can be like a made dog people yelp, she met with the soul of the blues and the morbid beauty of death, which the Doom flows out (who is rooted in Blues, or where BLACK SABBATH come again?). Already here is clear, the interplay of the musicians is a sleepwalker. A presents, the others get a go without the need great set mathematical song structures. Pure magic.
is true greasy doomy then in "Soldier of misfortune," continued which means reaching out an admonishing finger in the direction of the warmongers in the U.S. Senate. Why the story is told just from the perspective of a Vietnam soldier, is probably because of this war for the U.S., the most degrading defeat in its military and political history was, and was also leading by cruel means, more cruel than the second world war in many places. Ross' lead guitar howls and growls here full and beguiles the listener on the Place towards the end breaks the doomy structure of the piece and it comes with a loose, driving Boogeypart inclusive beautiful untamed solos again rushed through.
"The gas" barrel rolls hard in the best of old 70s Doommanier from the speakers, the melody is so elegantly simple as strongly held that they einfräst moment in the soul. Herrlich take the interaction of the musicians at one point there is an emphasis on the drums with the cymbals, wailing on the lead guitar and yodelling cry from bassist Ed, which are built entirely in unison in the song. It is a short but very most striking passage, the very striking highlights the class of the band.
we go times a step away from the Doom, towards the mighty groovy '70s hard rock, the way it is in "Woman on Fire" celebrates excessively with seething, eruptive riffs, a plethora of very unleashed little-ending Wahwahsoli, which is still in its intensity with increasing playing time to increase their haul a few moments and of course the exciting, thrilling catchiness to the whole genre was appropriated and, in particular the songs of OGRE, which is at issue here. The guys fighting like a possessed, are the coolest rocker on earth, especially the Nasalgott Ed Cunningham, who as a reincarnate Bon Scott sounds, but nasty, theatrical, mystical. An absolutely charismatic singer. Cult
will have the next piece, a cover version of the U.S. Doompioniere PENTAGRAM that promoted simultaneously with the BLACK SABBATH Lavarock, he invented, but unfortunately never celebrated their legal successes. "Review your choices" is the '99 album, also called the song and yet it is not so brand new, but comes, like a large part of the repertoire PENTAGRAM on their latest albums, the early to mid 70s. The song in the OGREschen version is Doom, Blues, Hard Rock, emotional, headstrong and captivating. Of course it is not easy PENTAGRAM singer Bobby favorite of vocal expression (because a technician does not really) her to come near, Ed Cunningham can do that, even if his voice sounds completely different. It is the theatrics, this evocative element. Herrlich.
Only two songs, then we are through with the disc. "Sperm whale" is a mostly instrumental rock between the usual OGRE ingredients, doomy, bluesy, driving hard rock, he sat with incisive and gripping riffs, really passionate Wahwahleads where coiled like Listeners should fall into a trance, then gets But for today's music a special twist. A monumental drum solo, as it had before 36, 37 years, many bands at the start, even on their discs will be here very wild and pleasurable staged. Drummer Will Broadbent anyway Wizard is a rhythm, only on the vertebrae and the kloppen, the craziest, yet coolest characters on tinkering, here it enriches itself. Eventually, the piece jumps to the end, in a passage with howling spacey guitar work, plus a bass line straight and flat that eruptive drumming over 70, the bassist Will a few lines telling, then sings. With a bluesy Scream it's back in the early Saves the grooving hard rock. It has come up here and totally enthusiastic, but also completely exhausted, because this disc with tears, asked to spin you around.
We can now look to rest, deep down in musty tomb, for it is time for one of the mystical, Doomsongs darkest of all time. "Flesh Feast" schrabt clumsily with under the old synthesizer sounds of morbid Grundriff from the speakers. Ross repeatedly into the skin wonderfully imaginative melodies in the slow-rolled, while Ed sings everything in the land. Wow. This is just a crazy anthem purest Dooms. A monumental conclusion to a monumental and yet so down to earth album. Such honest and sympathetic book is a rare pleasure in our hard rock music become so cherishes and cares for them well. CD is available directly from the band when Japan imported for U.S. $ 18.00 including postage. Ross writes the good but at times, not the bite.

Fix Side-car Singapore

NO BROS - Hungry for the good times



(2006, Austria, private pressing, 50.10)
01 Manifest Your Destiny
02 Hello Hello
03 Three Horned Dragon
04th Way More Of This
05th Hungry For The Good Times
06th Carry On
07th Caledonia
08th What's Going On In Paradise
09th Creed For Flesh
10th Blind
11th Metal Thanks
Yes that is a killer! A new NO BROS disk after 20 year break, then U8 still one of my favorite singers, Lem Enzinger of the Austrian cult metallers, who would then loosely as a mix of Rush and SAXON to create and enjoy but only cult status. However, I digress with enthusiasm. Although Lem sings a lot more bluesy and deeper than before, but it remains a classic heavy rock, which is one of the greats. Now he is the "New" in the band, the remaining cast has been the classic NO BROS mucked up slices of the 80 that turned the bar. The now slightly grizzled and a bit less hairy men are the new disk went back to her early works, that is quite classic, straighter heavy rock with rich organ sounds, some cool, flown synths, crashing, straighter guitar work with really passionately orchestrated solos Ösi legend Klaus Schubert (with vocalist Lem yes even longer Music makes) and earthy, driving rhythms. NO BROS do with this album even just a large part of the new discs of classic bands unnecessary RIOT bring to the edge of the crash (with their new CDs are very nice still), driving UFO over it, let bands like the Finnish chart-topping and Grand Prix LORDI Taken just as the clown standing there they are. Here is a hymn to the next ranks, quite urtraditionell the listener pleasantly familiar occurring in the typical style of the early 80s and even late 70s, but full of freshness and love of music sticking. As there may be a similar kind Neubands and old heroes abgucken something. I want to diss no bands, but shows NO BROS beat again how such music and thunder crashing, can not, must. Sure they are mainstream fit and of course they will be getting fatter concerts, but hey, underground or mainstream or somewhere in between, as long as the songs pure shred Sun so as NO BROS it is all completely irrelevant, including classifications not there, but only the heart blood, which by the songs flow. So the old-school hard rock is still beautiful life! Bright Lights!

Gaia Online Avatars Boobs

VERGANGENE GROSSTATEN: AXEGRINDER - Rise of the serpent men


(1988 / 2006, UK, Peaceville, 63.53)
01 Never Ending Winter
02 Hellstorm
03 Life Chain
04th War Machine
05th Evilution
06th Rise Of The Serpent Men
07th The Final War
08th Malfunction [bonus]
09th Virtual Reality [Bonus]
10th I Need Face [bonus]
11th Slow Motion Rewind [bonus]
A more contemplative, undistorted guitar run at the start, then a metal stamping introduction, where we will run this disk yet? Axegrinder come from England in the late 80s and have their album released on Peaceville, can that be only the darkest Grindcore. Okay, not quite so rough they are. The first real song "Hell Storm" is massive, dirty metal with thrashy, punky and fat rock'n'roller elements, like a mix of CELTIC FROST, DISCHARGE and MOTÖRHEAD. It is then also continue. It grooves, driving without end, to the groovy passages but you wait in vain for a blast beat fireworks. Axegrinder attach more importance to the ultimate power because of senseless thrashing. Here everything seems distorted, bass, guitar, vocals. This makes the beginning of "Life Chain" as particularly exciting. Now you might think, however, that now it in NAPALM DEATH breakneck speed goes off when the Prancing start is over and Trev singer with a deep, rough voice has scolded. No, the is not so. The always before him thunderous and yet groovy feel of the opener is accepted. It is noticeable that the songs are very catchy. Axegrinder were probably in the late 80 what we would now classify as "Metal Core", a perfect combination of angry and nasty hardcore thrash and death metal. In "Life Chain" is even a nice, little meaner solo part, which just underlines the metal elements again. I notice this rattling, but ultimately somber guitar sound to every nook and cranny. is a beautiful keyboard intro it for "War Machine". Very melancholic and dark, almost reminiscent of old 70's horror films with Gothic touch. Yes, weird, but why not? Then all hell breaks loose. The drum spins unleashed, the guitars fire intense, intoxicating riffs from the bass is pumping and aggressive in the background. Then a break, only bass, restrained drums and undistorted guitar, again a reversal in a medium quickly be rolled, crushing anything with this wonderful passage millstone guitars and already the fifth song is a bass line very quiet but exciting going on. "Evilution" rises to a purely Rifforkan, although for a few seconds of straight forward marches, but again ends in this wave-like groove from the drums. Somewhere in the middle of the piece you get served a squealing guitar solo and a very catchy chorus acting, then a Tappingsolo and howling again. What are Axegrinder anyway? Death Metal? Rocker? Punks? Musically, the symbiosis was perfectly made and makes great fun. The sound is obviously different than today. Digital productions, it was gloss 1987/88 yet, thanks be to Satan. Everything sounded mangy, filthy and hellish, but the fact so natural and lively as possible. Life is not perfect! Perfection is death. Okay, back to the Music! Again, it goes with undistorted guitars, restrained going on in indie rock style. Then suddenly a purely cut Zerre and it is damn heavy. From the riffs speak the emotions, the raw, deep vocal spray over with anger. The song is well arranged, and even if the game sounds very rough and unleashed, the band plays exactly. They are not gods, as then, techno instrumental MAJESTY (which a DREAM THEATER year later and renamed her acclaimed debut brought out), they just play with passion and intense feelings that flow from each bubbling note. Great improvements on the bass and guitars permeate your senses, will inevitably be put in you. As much as it also rattles, "Rise of the Serpent Men" is downright melodic. A long and very progressive song. Piano Keyboard
derives from "The Final War" field. Now it is entirely cuddly? Clear guitars you beguile, a relaxed, floating atmosphere. Once Trev but opens up the mouth, it is over with the glory also come a few moments later, the doomsday Guitars again and roll over murderous soul. Yes and then? Then again enters the quiet part. Wow, it not only an introduction. This section is awash in melancholy and subliminal anger.
What a record! Sure, in 1988 only reserved for the hardcore enthusiasts, because there just were no opportunities to vollzusaugen with information. They would also have the thrash fanatics, Death Metal (CELTIC FROST) - Fans (which were indeed of the "Cold Lake" bitterly disappointed), Hardcore Maniacs, and even tolerant of heavy metals (the ones that appealed to all calibers) can give goose bumps. What is not will be, perhaps, or? Oh yes, there are bonus tracks. Four pieces of Wartech that Axegrinder successor band. Musically, it was clean, very progressive, weird and dark, but still metallic. Certainly comparable with Voivod, KILLING JOKE and stuff. The songs are very exciting, with legs flown, fiery solos, very sick melodies and discords. Whom they do not like you might give to "The Final War" off the CD, listen and enjoy the daring to the end.

Why Do Dogs Smack In Their Sleep?

VERGESSENE JUWELEN: GRAVY TRAIN - Staircase to the day


(1974, UK, PYE, 43.57)
01 Star Bright Star Light
02 Bringing Me Back To My Life
03 Never Wanted You
04th Staircase To The Day
05th Going For A Quick One
06th The Last Day
07. Evening Of My Life
08th had Busted In Shenectady
GRAVY TRAIN with their 1970 debut of one of my favorite albums delivered early that day, a dramatic mix of hard rock, progressive, folky flutes, bubbling psychedelia and a dash of blues. Now we had then just 1970 and the progressive rock music was just about to break out of its infancy. 1974, the progressive rock boom was and I was the only child of my parents on a warm summer night on the world, GRAVY TRAIN were seen miles away from progressive sounds. More rock-hard mainstream sound with spacy from time to strike was offered. The opener "Star Bright Star Light" was a straight grooving rocker with catchy melody and a moderately fast start-end rhythmic beat of organ riffs, pumping bass, acoustic guitar and hard whipped limbed drumming. Toward the end, spherical chirping synth runs over it, what should make it clear to the affinity to the space rock. A good party number, sure, but you realize already that compositionally the air was getting thin. Thinned it was then equal to the second song, "Bringing life back to me," a schmaltzy Schmachtballade with some drama in the chorus, but also inflated to quickly change the gospel choirs. Smooth, radio-ready, flat, but still nice to hear. That would have done it any NAZARETH languishing. Sigh! Actually, something is already really, if you look at the debut keeps this in mind, but I like to be the textured and charismatic voice of the singer and I also belong to the people, the good mainstream rock of the 70 tolerate, such as the '73 'Get your dog off me "album of the ex Progger Beggar's Opera, or those same lard pot. Fits already fit, already. Rich and famous are not so become. But fortunately the Geschmachte is quickly over, and driving rock begins. Boogey, blues, played very fast. The guitar could be somewhat more fry and what is there bubbling in the background? An e Piano? An organ? I do not know. The song has properly Schmackes, despite the harmonica and the lack of hard rock guitar. "Never Wanted You" has a slightly playful middle section, which increases more slowly and then ends up reveling in Mellotronpomp. But nicely done! Screams of the singer and cool but some energy-rich, but not directly "heavy" to be named passages. The title track brings the debut of her beloved melancholy with clean guitars and seductive flute runs that later run unison with the guitar back. Dreamy psychedelic, melancholic pop of the late 60s, a little folksy atmosphere with roots in Victorian England, a beautiful rain numbers, catchy but with substance and a lot of feeling, very catchy too. While not innovative, but simply beautiful. The haunting lead guitar refers to the big brothers PINK FLOYD, while more pop but with a whole in itself. Compared with the current chart music, even plastic dem80er Mainstream Rock hits of the 70s and this is great cinema and to use even without bad music now to leave you this album better, this song is really something. Analog synths embellish the atmosphere even more rapidly, the Mellotron and "Aaaah" - choirs are emerging. Of course, the abundant bombastic and somehow lost in megalomania, but so long as such it get out of rich songs I agree with the composer.
Medium Fast then strolling Hard Rock, very relaxed and cool, is provided with a "Going for a quick one." All right, a Ficksong as it appears in the book. Also not outstanding, but gripping enough to convince me. Some choral interludes and a little pomp are also not out of place, although it can approach the band really earthy. Suddenly all the instruments except the drums are gone, then sets the basic theme again and solos over an analog Moogsynthesizer. GRAVY TRAIN had probably been laid with the previous album a miserable failure, and were compositionally well again rising on the road. Now I know "Second birth" and somehow I do not want to not have to. The two progressive early work on the Vertigo label and this second album on PYE rich completely. "The last day" is a multi-part, straighter, more relaxed rock with folky, spacey, epic and very peacigen melodies in the beginning of partners, where acoustic guitars over laid-back bass - provide and percussion runs a lush foundation for the pained, rough vocals. Then a guitar transition and you are already hovering over a pounding beat to where voice and flute come along a little freaky, weird. Clear, you end up back in the entrance passage. This piece is definitely a very nice Space anthem without heavy guitars. And even more melancholy. A piano Theme was "Evening of My Life", an e piano gets in, the basic running plays a beautiful tune. Then revel in bombastic beauty of sound, an absolute super ballad that does not ELTON JOHN mighty have succeeded in serving but with less substance would. Even if that's all too much like fluffy sound muscle game sounds, it's not bad, but very short.
Rocky, it is again at the end, medium speed, beat her from strolling, surface cool and despite the manner of composition probably familiar stirring and memorable. A nice power rock to the end with wailing guitar, distorted Slideklampfe for the solos. Boogeykracher with a bombastic choir in the chorus. That thing will not Progger go in, I think it's amazing. In the central part of the song then goes away by itself in a swirling hard rock part that is hypnotic - monotone hinsteigert a real inferno. The time was very trendy, hehehe, but hey, be it 1969 or 1974, it does not miss its effect. Mellotronleads are also no stranger to this song, which absolutely rocks. Yes, damn it. "Busted in Schenectady" rocks completely. Then the song breaks off suddenly and, if it is already at the end of the disc, but no one believes a Wahwahgitarre the contrary, a relaxed groove occurs. Funky Hard Rock? Please fits already, if they ever made so cool is like here. Absolute anthem at the end of the LP with insane screaming. Actually it should have
GRAVY TRAIN create with this album, the white oppressors, why do not they succeeded. NAZARETH worse than on the best albums they were not. Rather less superficial. Shame. If the disc out ebay or second hand store to look and feel like 70's prog / pomp / hard rock, tuck in immediately.

Oily Hair And Dandruff I Have A Shower Everyday

VERGANGENE GROSSTATEN: MAY LYNN - May Lynn


(1988, Denmark, Shark Records, 38.00)
first Soldier
second Joey Do not Care
third The Shelter of the Night
4th Breakout
5th Dangerous Games
6th Backstreet Life
7th Fit for Fight
8th Long Way from Home
hell This rare CD from the late '80s, I did several years ago bought cheap at somewhere in the second-hand store or at a flea market, well, I did not regretted it. I am currently in the fifth grade song "Dangerous Games" and afraid my remaining hair to straighten, catchy riffs, pounding Abgehvierviertelbeats and haunting melodies. Scandinavian Metal pure, as I like to think. 220 VOLT, the PRETTY MAIDS, MINDLESS SINNER, possibly "Final Countdown" the hard stuff early EUROPE slices from the melodic metal may have been the inspiration of the Danes, SILVER MOUNTAIN perhaps it is this track. High Melodic, catchy, stomping to driving with an elegant expression that stood out from the rough road of course heavy metal. Sun MAY LYNN are certainly not leather rocker Jack, but rather well-dressed guitar melody with a penchant for crisp and solid base hardness. Especially the polyphonic arrangements with lead vocals that come up everywhere flatter the ears and the soul. Someone could AOR influences thrown into the room, I do not as of MAY LYNN, but they are woven skillfully into the pieces and push the band not desperately for the radio, even if "life Backstreet" so many songs like the stomping really smooth would be enough to sweeten a rather quiet-tuned radio audience the day. But then again there are these wonderful guitars, the hauntingly beautiful leads that are simply not for the superficial mainstream. This could be more like MAGNUM friends, although the Scandinavian felling very well come to light. Was published in 1988 SHARK RECORDS and could thus still appear now and then in my spare German dealer. strike at the sighting, the disc is todgeil when melodic because, Scandinavian Metal loves. And for the romantic moments of the steel head is then compensated with so brisk Heavy Metal, which a hymn-like core can not be denied. Class!